Both boats need to be stabilized in place. This means allowing the keel to rest on a flat plain to prevent possible distortion due to loading during restoration, and minimizing the force at concentrated points along the planking. For these reasons, improvements need to be made on the existing cradles.
Basic stabilization is as follows:
Keel Blocking. A series of six hardwood blocks will be assembled under the keels at intervals not exceeding four feet. Attention should be paid to not obstruct the centerboard opening. Judicious use of shims, tamped ground and wedges will ensure all blocks load as evenly as practicable.
Upright Support. Two diagonal risers are to be fitted on each side of the hull under the turn of the bilge, perpendicular to the keel, and secured from lateral movement on the ground. A plank will span the upper ends of these, and allowed to bend outward along the curve of the hull fore and aft. Careful treatment to span a large area for maximum distribution of forces shall dictate the execution of this process.
Caulking. The existing caulking of both boats needs to be entirely removed and the seams closely examined. New caulking throughout shall consist of an agreeable blend of traditional techniques and modern materials per sound and proven practice. In other words, its a complicated evolution. I won't say we'll keep 100% historically accurate, but I will find a blend that duplicates historical practices as much as possible but gives some advantage in terms of performance, durability and longevity.
Painting and Finishing. Both boats shall be painted and finished in a similar a manner as practicable, the goal being that they should be as close in appearance as possible. Colors, stains and finishes shall be determined at a later date. You can bet they'll look similar to Monomoy No 1.
On the individual boats:
Monomoy Pulling Boat No. 2
Removal of Fiberglass Sheathing. The fiberglass sheathing on the outside of the hull needs to be removed before any other work is undertaken. We will attempt this with a heat gun, pulling the glass away in sheets. Protective suits, respirators and gloves will be worn by the crew doing this. Work on No. 3 must cease while this process is carried out, and may not resume until completion. This will avoid potential hazards to those personnel while limiting cross-contamination with glass dust and fibers from No. 2.
Once the glass is removed, work can begin on stem and sternposts. These exhibit severe shrinkage, cracking and failure of fasteners. Much of the original material will need to be replaced, using the original parts as templates where possible. Attention must be paid that materials and techniques are duplicated as closely as practicable. The bronze drifts may be salvageable.
Monomoy Pulling Boat No. 3
Stem and Sternpost Repair. Though not as severe as No. 2, the stem and sternpost are exhibiting some of the same symptoms of deterioration. These need to be addressed. Extent of necessary repairs will not be known until the material is removed and inspected. Work should immediately follow the same repairs conducted on No. 2.
Replacement of Broken Frames. Several of the steam-bent double frames are cracked or broken and need to be replaced. All other frames should receive close scrutiny, and possibly be removed for inspection.
BT
There are undoubtedly more issues that will arise as we progress. For now, we are GO to begin stabilization and to prep for glass removal on No. 2. Expect complete plans on both of these evolutions, along with required tool and material lists by the end of the week. These efforts will be followed in short order by the stem and sternpost repairs, and then frames and floors.
We have an exciting winter ahead.
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